The film titled “Who the fuck is Jackson Pollock” presents an interesting issue of how ideas
about the authenticity of artworks play into identification of a painting, in this instance,
supposedly produced by the American modernist Jackson Pollock. Write a one-page response (single spaced) to the following questions: 1. Is the Pollock artwork discussed in the film authentic? (provide clear reasons for your position for or against this notion) 2. What is the role of art institutions/culture brokers in framing, affirming or denying the authenticity of the painting?